This work intertwines the Sampaguita - the national flower of the Philippines - with references to adornment and tradition. Flowing through the hair, the Sampaguita’s white blossoms evoke purity and resilience, qualities that made it a statement flower often paired with the terno, the iconic Filipino dress.

Alongside this, the suggestion of chains draws from the jewelry of the T’boli tribe in Mindanao, whose layered brass and bead necklaces carry histories of identity, craftsmanship, and cultural pride. The patterned shoulder hints at the textiles and motifs that accompany such attire, grounding the figure in a landscape of heritage. Together, the flowers, chains, and patterns create a portrait that is both personal and collective—a weaving of adornment, memory, and the strength of cultural symbols.

The larger scale makes it a true focal point, commanding presence on the wall while offering subtle details up close.

18×24” canvas size (frame is 1-2" on top of the canvas size)

Acrylic, oil and pencil on treated canvas.
Framed in dark oak Toronto made frame and ready to hang.
They are each unique pieces from Jacqueline May from the group show ‘Four Play’.